Problem with the 700D and 650D before it is it introduces phase detection autofocus which leaves colored dots on the raw output, Magic Lantern have created a chroma smoother to ‘remove’ that and it works fine, with a little loss of clarity. But faster cards are required for the 7D and costs go up massively. If you changed your T3i for a 2nd user 7D you’d get something like 1700 wide to the CF card in that camera. If you went for a T4i/ 650D or a T5i/700D you’d get 40MB/s through the controller in that camera and that gives 1280x720 continuous. You’ll need a 95MB/s decent make SD card, even though the camera is the limiting problem in data rates, it restricts output to 20MB/s through the SD controller, you’ll still need a fast SD card (95MB/s) for sustained writes and better reliability.
If you’re just wanting to do video editing, stabilizing, grading including tracked adjustments and slow motion with optical flow then frankly Resolve Lite is a far better choice than Blender, unless you’re on Linux, then there is no Resolve Lite.įor the 3 line batch script, as syntax varies are you using Windows or Linux?īest sizes you’ll get for raw at 24 fps from a T3i is about 960x544 continuous, 1152x482 (Max 20secs) or 1200x496 (Max 13secs) short bursts but the ML menu gives lots of variations on those and suggests what you’re likely to capture in frames. And that includes Davinci Resolve Lite, which is free.
But in Resolve 11 releasing in June, improved raw support and better debayering will improve all this. The only downsides are that you have to bake white balance into your tiff or exr output and that you use more h/d space storing intermediate files, DNG’s and tiffs/exrs.ĭavinci Resolve 10 handles Magic Lantern DNG’s badly currently, debayer is poor. A simple 3 line batch script and dcraw will convert your Magic Lantern raw files to 16bit linear tiffs or possibly exr’s via Imagemagick and put the DNG’s and image seq output into named folders for you, super simple.
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